Movie in a Minute: The Departed

What happens when an undercover cop poses as a Boston mafia member and a Boston mafia member poses as a cop? The Departed happens, that's what. This film marked a cinema milestone as Martin Scorsese bagged his first Oscar. The rumors of a snub are finally put to rest and the statuette made its way into Marty's grip. With that said, The Departed stands as a testament to what a great crew can accomplish. Look for a moment at who worked on this film: 1) Scorsese as director, of course [Casino, Goodfellas, Raging Bull]; 2) William Monahan wrote the screenplay [Kingdom of Heaven]; 3) Brad Pitt as a Producer; 4) Music by Howard Shore [Lord of the Rings trilogy] and 5) actors DiCaprio, Damon, Nicholson, Wahlberg, Sheen and Baldwin. This is, arguably, DiCaprio's best and a great performance by Nicholson and Damon. With four Oscars total (Adapted Screenplay, Editing, Directing and the coup de grace Best Film), The Departed cements a spot in the chronicles of crime drama.
Warning: This film contains crude language, violence and extreme awesomeness.
The Cinema Standard "Movie in a Minute" Rating: 8.8 out of 10; If you're a fan of Scorsese, DiCaprio, Nicholson, Damon or crime drama, please get this movie for your collection.
- - Reviewed by Brady

Brick

Film Title: Brick
Year: 2005
MPAA Rating: R
Length: 110 minutes
Film Genre: Crime / Drama / Mystery / Neo-Noir
Director: Rian Johnson
Producer: Norman Dreyfuss, Ram Bergman, Mark G. Mathis
Writers: Rian Johnson
Players:
Joseph Gordon-Levitt as Brendan
Nora Zehetner as Laura
Lukas Haas as The Pin
Noah Fleiss as Tugger
Naoh Segen as Dode
Matt O'Leary as The Brain
Emilie de Ravin as Emily
Plot: A girl mixed up in the drug world of an average high school dies mysteriously. Her ex-beau decides to find out who is responsible. Welcome to the neo-noir detective movie.
Acting: The acting in the movie is strange to say the least. Every character is played one step beyond normal - an oversaturation of reality, or absurdity at times. I like it for the most part. Gordon-Levitt was a perfect cast for this role and Zehetner's Laura is the epitome of the beautiful femme fatale (it's even mentioned by Brendan in the movie).
Cinematography: The cinematography is nice, but not ground-breaking. Scenes at a tunnel were shot well with some of the action shot outside looking in and some of the action shot from the inside looking out, creating silhouettes.
Visual: When Brendan is punched in the face, a fast white flash (almost comic book starburst style) fills the screen. I'm not sure how I feel about it, but it's a cheap effect to accomplish and at least adds something to the action. Another cheap, but very effective, visual is the way that Johnson transitions from Brendan's dream sequence back to reality. A piece of black plastic moves up a waterway, slides up and covers the camera. Then it is quickly pulled off Brendan's head like the covers of his bed. The plastic coming up the water was actually filmed backwards with Emilie walking backwards as well, so that when played forward the plastic would flow up the water beside the awkwardly walking Emily.
Audio: Slow moving songs with odd sounds - interjected during periods of the film that are devoid of dialogue - match the movie's odd plot and action.
When I watched it last: Last Night
What to watch for: Gordon-Levitt's Brendan, the incredibly beautiful Zehetner, Tugger's Mustang, the Pin's cane, the Pin's mom and any scene involving a fight.
What to watch out for: A shot to the head with much blood, reference to drug use, language.
IMDB Rating: 7.8 out of 10
Roger Ebert Rating: 3 out of 4 stars; "The story is never clear while it unfolds, but it provides a rich source of dialogue, behavior and incidents."
The Cinema Standard Overall Score: 8.0 out of 10; I liked the movie but was confused for the most part and still had many questions at the end, but what mystery movie doesn't and shouldn't leave you questioning things?
--Reviewed by Brady

The Godfather

Film Title: The Godfather
Year: 1972
MPAA Rating: R
Length: 175 minutes
Film Genre: Drama / Crime
Director: Francis Ford Coppola
Producer: Albert S. Ruddy
Writers: Mario Puzo (novel); Mario Puzo and Francis Ford Coppola (screenplay)
Players:
Marlin Brando as Don Vito Corleone
Al Pacino as Michael Corleone
James Caan as Santino "Sonny" Corleone
Robert Duvall as Tom Hagen
Plot: As the Don of one of the five mafia families of New York, Vito Corleone must somehow prep his reluctant son into taking the family "business".
Acting: With this cast, a director would have to be an idiot not to succeed. The talent in this movie is enough for five blockbusters. Every character was perfectly cast. Brando and Pacino are a duo that simply create magic.
Cinematography: Coppola is a director not afraid to let the camera sit still. The slow (but perfect) pace of the film is dictated by the camera.
Visual: Notice the lighting in the film. Scenes that involve happy moments for characters are shot during the day in well-lit areas with bright colors all around. Scenes involving murder or other shady activity are shot in dark rooms, sometimes in near pitch black with dark furniture and dark walls and often at night.
Audio: For 1972, you won't get any better. In fact, for 1982 you won't get any better. A strangling is not a pleasant thing to hear.
When I watched it last: In the theater (!!!) two weeks prior to review
What to watch for: Brando, Pacino, Duvall - - simply amazing. Add Francis Ford Coppola and an amazing supporting cast...voila! Great movie!
What to watch out for: Violence, Blood, Death; Momentary nudity; Language.
IMDB Rating: 9.1 out of 10; #1 on the top 250 movies of all time as rated by users.
Roger Ebert Rating: 4 out of 4 stars; "[The Godfather] brushes aside the flashy glamour of the traditional gangster picture and gives us what's left: fierce tribal loyalties, deadly little neighborhood quarrels in Brooklyn, and a form of vengeance to match every affront."
The Cinema Standard Overall Score: 9.4 out of 10; it's easy to see why some have called it the greatest film of all time.

Heat

Film Title: Heat
Year: 1995
MPAA Rating: R
Length: 171/188 (edited and unedited)
Film Genre: Action/Crime/Drama/Thriller
Director: Michael Mann
Producer: Pieter Jan Brugge
Writers: Michael Mann
Players:
Al Pacino as Lt. Vincent Hanna
Robert De Niro as Neil McCauley
Val Kilmer as Chris Shiherlis
Jon Voight as Nate
Tom Sizemore as Michael Cheritto
Amy Brenneman as Eady
Ashley Judd as Charlene Shiherlis
Natalie Portman as Lauren Gustafson
Dennis Haysbert as Donald Breedan
Plot: Neil McCauley heads a gang of heavily armed and highly determined theives/bank robbers who square off against Lt. Hanna in a deadly game of cat and mouse.
Acting: The acting in this film was top self. Pacino and De Niro give some mind numbing performances, makes you wonder why this is their only film together. Kilmer and Sizemore give amazing support to De Niro as members of his gang. Something to note, most of the support characters in this movie have gone on to big name success themselves (Judd, Portman, Brenneman and Haysbert.)
Cinematography Dante Spinotti does an amazing job as Cinematographer (Director of Photography), no wonder Mann has used him on three of his films (The Insider, Heat and Last of the Mohicans). Mann is an amazing director and you can truly see his unique style in this movie.
Visual: Mann shoots scenes a certain way. If you have seen the trailer for Miami Vice and his movies Collateral and Heat you will note his style. He loves night scenes intertwined with landscape shots, He loves night driving scenes with city lights reflecting on windshields and rear window, running scenes are close up and tight on the characters and a trade mark, he puts you right in the middle of the action. He puts you in the faces of the actors or over their shoulders, this adds so much to the intensity of the action. The movie is a visual masterpiece.
Audio: The sound for the movie is good for an action movie. Subtle volume changes between scenes of action and dialogue. The gun battles are amazing, a must for surround sound owners
When I watched it last: 1 hour ago
What to watch for: Amazing Performances by Pacino and De Niro as well as the supporting cast. Classic diner table scene as Cop and Criminal share a cup of coffee. Classic Michael Mann directing (vehicle tracking shots and down in the action gun battles)
What to watch out for: Excessive Language and Violence. 3 Hours Long!
IMDB Rating: 8.0 out of 10
Roger Ebert Rating: 3 1/2 out of 4 stars
The Cinema Standard Overall Score: 9.0 out of 10. Beautiful movie, Amazing Cast, Incredible directing and Gripping story. This movie is the top of what the crime/action/drama genre should be, a must own.
--Reviewed by Jason

Rashomon

Film Title: Rashomon
Year: 1950
MPAA Rating: PG-13
Length: 88 minutes
Film Genre(s): Crime, Drama, Mystery, Thriller, Foreign
Director(s): Akira Kurosawa
Producer(s): Minoru Jingo, Masaichi Nagata
Writer(s): Ryunosuke Akutagawa (story, from "Rashomon" and "In a Grove"); Akira Kurosawa, Shinobu Hashimoto (screenplay)
Players:
Toshiro Mifune as Tajomaru
Machiko Kyo as Masako
Masayuki Mori as Takehiro
Takashi Shimura as the Woodcutter
Minoru Chiaki as the Priest
Kichijiro Ueda as the Commoner
Plot: The account of a murder from four different perspectives.
Acting: There is a lot of overacting in the movie, but it seems to be there for a reason. The characters in the story are each telling a version of a story. These stories are not perfect reality, so in the telling many things are embellished and many things are added and deleted. Shimura shines in this movie as he does in many other films.
Cinematography: A classic, pure and simple. Several of the shots from this movie have been copied ever since. Kazuo Miyagawa was a master of the camera. An early scene with the woodcutter walking through the woods is an example of his skill. Miyagawa constructed a long rail and caught a lengthy stroll with one shot. A moment later the camera stands still as Shimura walks into view and back out on a 180 degree pan. Geometry is an easily recognized aspect. People standing in triangular formation reveals tension between characters and causes tension for the viewer.
Visual: Several of the film's visual aspects were painstankingly created by Kurosawa and Miyagawa. Shadows and lighting were particularly difficult. The shadows of leaves on faces were created by reflecting light off a mirror through tree branches.
Audio: 1950...what can you say.
What to watch for: Shimura and Mifune; a unusual story that you'll probably need to watch twice.
What to watch out for: Allusion to rape; some offscreen violence.
When I watched it last: A few nights prior to review
IMDB User Rating: 8.5 out of 10; #64 on the top 250 movies of all time as voted by users
Roger Ebert Rating: Included in his list of "Great Movies" (his top honor); "The real gift of Rashomon is in its emotions and visuals."
The Cinema Standard Overall Score: 8.0 out of 10; See what inspired so many directors, producers and writers.
- - Reveiwed by JB

Gangs of New York

Film Title: Gangs of New York
Year: 2002
MPAA Rating: R
Length: 167 minutes
Film Genre(s): Crime, Drama, Historical
Director(s): Martin Scorsese
Producer(s): Maurizio Grimaldi, Michael Hausman, Michael Ovitz, et. al.
Writer(s): Jay Cocks (story and screenplay); Steven Zaillian, Kenneth Lonergan (screenplay)
Players:
Leonardo DiCaprio as Amsterdam Vallon
Daniel Day-Lewis as Bill "The Butcher" Cutting
Cameron Diaz as Jenny Everdeane
Jim Broadbent as Boss Tweed
and Liam Neeson as "Priest" Vallon
Plot: A young boy watches as his father, a supposed priest, is murdered. Years later, he looks for revenge. There's only one problem though, the man who murdered his father is the most powerful man in Manhatten.
Acting: For the most part I liked the characters in the film. Leo Di plays the retribution-driven Amsterdam. "He is the eyes through which we see the others but is not the most colorful person on the canvas" (rogerebert.suntimes.com). Day-Lewis and Diaz add that color, along with characters such as the historical "Boss" Tweed and Happy Jack.
Cinematography: The film is somewhat generic in its use of the camera. There are not as many iconic shots as one would expect, especially from a Scorsese flick.
Visual: Many of the effects made up for the lack of cinematographical mediocrity. A smoke-filled fight between Bill and Amsterdam creates incredible tension about who will be victorious. The final scene is a foreground shot of a cemetary where two main characters are buried with the background being a skyline shot of Manhatten. Four time-progressions occur with the New York skyline growing taller and taller and the cemetary becoming more and more overgrown - the symbolism of a tempestual but forgotten past.
Audio: Music was an important part of this film. U2 performed the opening song The Hands that Built America and Peter Gebriel contributed a song as well. Some 6 performers total contributed original music.
What to watch for: Stunning sets, whether digital or real. Surprisingly good performances by Daniel Day-Lewis and Leonardo DiCaprio.
What to watch out for: Extreme senquences of Violence; Blood; Language; Wanton Sexual Content
When I watched it last: Three nights prior to review
IMDB User Rating: 7.2 out of 10
Roger Ebert Rating: 3.5 out of 4 stars; "It is very good but not great."
The Cinema Standard Overall Score: 7.1 out of 10; Skip a scene or two or three; A decent Scorsese movie, but yet another reason why he hasn't won an Oscar.
- - Reveiwed by JB