Event Horizon

Film Title: Event Horizon
Year: 1997
MPAA Rating: R
Length: 96 minutes
Film Genre(s): Sci-Fi, Horror/Thriller
Director(s): Paul W.S. Anderson
Producer(s): Nick Gillott, Jeremy Bolt
Writer(s): Philip Eisner
Players:
Laurence Fishburne as Captain Miller
Sam Neill as Dr. William Weir
Kathleen Quinlan as Peters
Joely Richardson as Lt. Starck
Richard T. Jones as Cooper
Jack Noseworthy as Justin
Jason Isaacs as D.J.
Sean Pertwee as Smith
Plot: A state-of-the-art ship, built to travel faster than the speed of light, disappeared seven years earlier and has just reappeared in the orbit of Neptune sending out a distress beacon. A rescue mission is sent out to recover the ship and crew but is met with a terror unlike anything anyone has seen before.
Acting: For the most part, the acting in the movie was good. Laurence Fishburne was already a seasoned actor and was well on his way to his best performance in the upcoming Sci-Fi mega movie The Matrix. Richard T. Jones is the necessary comic relief in the movie. His self-confidence and unearned machismo are the only alleviation from the absolute tension of the film. With a full cast of 15 people, a lot of stagecraft is demanded of only a few people. I’m not convinced that Sam Neill is a worthy portrayer of the antagonist/absolute evil. It’s hard to watch Jurassic Park’s hero become a carved-up Devil personification.
Cinematography: This movie demanded much of the camera crew. Uneven floor plans for the sets meant a lot of rigging and movement. In one scene, the camera rotates around the crew as they talk about what should be done. The camera goes back and forth several times making for a nice alternative to several camera switches.
Visual: Visual effects in the movie were both stunning and haunting. The vividly lit green tunnels near the core have been copied to an extent in many movies. Spacecraft design and settings were expansively and visually awesome. Roger Ebert points out a design goof. The Event Horizon is floating in the turbulent atmosphere of Neptune, yet after the initial approach by the rescue vessel, all the scenes seem to take place in calm space.
Audio: Orbital was called in by Paul Anderson to work with Michael Kamen on the film’s music. Dark beats are layered on top of Kamen’s symphonic melodies, which gives many of the scenes an edgy heart-pounding effect.
What to watch for: Awesome visual effects…and that’s about it.
What to watch out for: “Orgiastic” (as quoted by the Paul Anderson and Jeremy Bolt) scenes of sado-masochistic mutilation, torture, blood (lots and lots of blood) and intense gore; language.
When I watched it last: Two nights before review
IMDB User Rating: 5.8 out of 10
Roger Ebert Rating: 2 out of 4 stars; “It's all style, climax and special effects.”
The Cinema Standard Overall Score: 5.0 out of 10 stars; Sorry, but I’m not a horror movie fan.
- - Reveiwed by JB